Monday, June 11th, 2007

My five best tools

You know those questionnaires where they ask you what would you take with you if you were stranded on a deserted island? I was pondering the same thing on the weekend – what are the five craft tools that I simply could not do without?

On top of the pile is a Ranger nonstick craft sheet. This huge 15 x 18 craft sheet is not only basically indestructible but it also protects my work surface. You can pour hot stuff on it, you can heat emboss on it, you can paint on it and nothing gets through and nothing sticks. The craft surface is a great one to use if only to protect your own work surface but it’s also a great surface to use more actively.

Instead of wasting paper palettes or plastic tubs for paint palettes I just pour the paint onto the nonstick surface using it as a small palette. It’s not expensive and it’s probably the best investment you’ll ever make in a single work surface.

Of course that begs the question of how you clean the work surface? In addition to a scraper to scrape of the big gobs of muck on it, I use baby wipes. These are soft enough to use so they don’t irritate your hands and yet they clean everything from ink off rubber stamps to paint spills and stray embossing powder and glitter. I buy a big tub of baby wipes and then the refill packs to keep them topped up. Tim Holtz swears by the Costco ones because they’re scent free – which is pretty funny because he loves smelling inks and other things… I don’t mind the pretty scented ones.

I never thought I’d say this but my Crop-o-dile is my new “must have” craft tool. I don’t know how many hole punches I’ve butchered trying to punch holes through surfaces that really shouldn’t have been punched with a standard punch. The Crop-o-dile makes mincemeat of these and will punch through coasters, chipboard and even some light composite boards. It can also be used as an eyelet setter and makes two different sized holes. It’s extremely robust, very smartly designed and, unless you want to continually buy new hole punches when you destroy old ones, it’s a must have for your craft room.

I’ve tried just about every glue and then some. I have probably eight or ten glues on my counter ranging from Fabritac fabric glue through to paper glues. One glue however has surprised me with its strength, clarity and overall workability. I wasn’t expecting it to be anything more than just another average glue but it’s far from that. Anita’s Tacky Glue goes on white and dries clear. I’ve used it to adhere polymer clay — although E6000 probably does a better job – it does a serviceable job on clay, paper, fabric, wire and just about anything else you can imagine. It sets fairly quickly so it’s easy to use when you need to hold something in place until it’s dry because you won’t be sitting there for three hours waiting for it to set up. It also comes in big bottles, it’s inexpensive and the nozzle doesn’t clog so it’s unusable.

The jury is out on my last must have of five favorite tools. I love my Heat It embossing tool. It’s smart, easy to use and doesn’t blow everything everywhere. I also love heat set paints so the Ranger Dabbers are on my must have list of craft tools. Any paint that I can heat to set so that I can get multiple layers of paint built up in a very short time has to be a good thing. I also love my Glaze Jellyroll clear glitter pen – you can draw glitter accents onto absolutely anything and they are subtle, not in your face, so it’s a cool tool too.

Monday, May 7th, 2007

How to be more creative

How can I be more creative? It’s a question lots of people ask, I imagine because they think they’re not creative and somehow, if they knew the magic formula, they’d be able to crack the nut and become creative overnight.

Sorry to say, it’s not an overnight proposition. But there are some magic formulas – Yep! there are. One that I love is supplied in a list format over at gapingvoid.com.

Visit it here. You can read the formula as a series of short points and be done with it or read the long explanations. If you’re serious about the ‘winning formula’ read the lot. It’s an eyeopener.

Now, I don’t agree with absolutely everything he says but I do agree with around 95% of it. There’s enough here to guarantee that if you follow his steps you’ll be more creative and, in time, you’ll create whatever it is that takes your fancy. It’s all about … we’ll I won’t tell you … you can go read for yourself.

Just remember, the only person you have to blame if you’re not as creative as you want to be really is you.

Wednesday, May 2nd, 2007

Digital scrapbooking wow!

scrapblog 704797 Digital scrapbooking wow!

I thought I’d seen just about everything in digital scrapbooking until I happened across scrapblog.com. You absolutely have to visit this site.

It’s simply amazing not only because it’s a way of scrapbooking digitally online but also because the tools and features available are very up-to-date and classy and it’s an extremely fast site to use.

You can upload your photographs. I suggest that you save them as jpegs and size them down to a size suitable for displaying on a browser window which means that they should be under 1200 x 1000 pixels in size – not only is that a sensible size to use but it also will speed up your upload times.

When you visit the site, click to get started straight away. You don’t have to register unless you want to – you will want to but you don’t have to do this yet. Use the Start with a Theme option and find a design that you like to use as the basis for your page. When you open the theme you get all the layouts that have used that sort of design so you can delete those you don’t want and then just edit the one that you do.

If the design uses a circular picture then you’ll have a few problems if you try to drop your rectangular photo over the top of the circular picture – it will be deformed and pulled out of shape. The best way is to drop your image onto the page somewhere other than over the circular picture, use the crop tool to crop it as a circle and then mimic the other person’s photo frame before dropping your photo on top of theirs effectively blocking it out – or remove the unwanted picture after you’ve matched its look. It’s up to you.

When you are setting the frame color for images you can use the eyedropper tool to sample from the page itself, or an object ton it, so that you can exactly match colors as needed.

I love the sticker collection – who knew you could get so excited about them?. There are stacks and stacks of stickers not only in the Stickers collection but you can also click a Get Stickers link in the Sticker area to add more stickers from the collection to the theme. There are swirls, ink drops and all sorts of fancy shapes, in fact a whole lot of stuff that any digital scrapbooking website would kill to be showcasing and they’re all here ready to use.

The background designs are fun and there really is no reason for someone not to get into digital scrapbooking on this site. It’s a topnotch site, well designed, easy to use and a heap of fun. I think it might be the best way you’ll ever have of getting paper scrappers into digital – it’s simply so easy to use.

You really owe it to yourself to go visit it.

Friday, April 20th, 2007

Tim Holtz – tips from the expert…

TimHoltz 766794 Tim Holtz   tips from the expert...

In the world of scrapbooking, Tim Holtz stands out from the crowd. Not only is he the most well known man working in a field dominated by women but he’s an all round nice guy too. Corner Tim for a few minutes and you’ll find he’s full of enthusiasm for the craft and loves sharing his knowledge.

Tim is best known for his signature range of 24 Distress Inks which vary from sepia toned browns and dusky pinks, blues and greens to the newer brights with fun names like Spiced Marmalade, Brushed Corduroy and Broken China. As Tim says, “it’s not just about brown anymore”. When pressed, Tim admitted his favourite name in the new colour range is Shabby Shutters but he adds that Worn Lipstick reminds him of grandmother’s lips when she kisses you and it leaves a lipstick mark on your cheek.

To go with the original line of Distress Inks, Tim and the crew at Ranger have developed a line of Distress Embossing Powders. I asked Tim if he had any tips or techniques to share when using thest powders, not unexpectedly, he did!

Tim points out that Distress Powders are different to regular embossing powders in that they melt to a matte finish rather than the usual gloss finish. They have a rough texture when they’re embossed and the release crystals that they contain cause parts of the embossed area to “rub off” when cool to give a distressed result.

To emboss in colour, Tim suggests you apply Distress Ink or Embossing Ink to your stamp and stamp the image. Shake the Distress Powder in the jar and apply the powder over the stamped image. Remove excess powder and return it to the jar. Heat the embossed image with a heat gun – the colour of the powder will change and it will feel like sandpaper when cool.

To distress the image, wait until the embossed image is completely cool then gently rub it with your hand to remove the release crystals. Discard the release crystals and, for an even more distressed look, Tim says “scrape away more of the powder”.

To distress your project even more, apply Distress Inks to a Cut n’ Dry Foam piece and rub the inked foam in a circular motion beginning over the edge of the image and pull the ink onto the paper to fill the inside of the image. You can also use Cut n’ Dry Foam to ink the edges of the paper – work from light to dark colours to make image “pop”.

Saturday, March 17th, 2007

Perfect hand cut tags – guaranteed

I love tags in all shapes and sizes but until I learned this trick I tended to buy commercial tags because mine looked so home made and uneven. So, here’s how to make your own handcut tags and to cut them perfectly every time.

Cut your basic tag shape – such as a rectangle and then cut an angled piece from one corner. Flip this piece over and adhere face down to the opposite corner using temporary adhesive or simply hold it in position in your hands. Now use it as a cutting template for the second corner – it’s the exact shape you need so it works perfectly every time.

Thursday, March 1st, 2007

Short of ribbon, no worries!

What do you do when you need to tie lots of ribbon to a project and when you’re short on ribbon? Well, I for one, don’t panic. Here’s a trick for making small pieces of ribbon go a long way:

Instead of tying all the ribbon to the project – tie one ribbon and then lay shorter strips of ribbon across the knot and knot twice again to secure. You’ll get the bunch of ribbon look you want but with less ribbon than you really have in hand.

So, now you know you can use scraps of ribbon, instead of consigning them to the rubbish bin, bag them in small zip lock bags for use on your next project.

Monday, February 19th, 2007

Adding dimension to craft projects

One of the biggest challenges when crafting paper projects such as cards is adding dimension but still ensuring the project can be mailed or a mini book can shut. For this reason I try to avoid using a lot of metal accents that aren’t flat or things that will poke through the envelope.

However, I love foam dots. A few foam dots can lift an accent off the page and make it all look so much more interesting. It seems that just the smallest shadow that they provide makes items look like they’re stacked. Foam dots also travel well – when they’re squashed down the pop back up.

They work well with stickers, simply add the foam dots then dust the remainder of the sticker with talcum powder to remove the ‘stick’ then adhere the sticker to the card with the foam dots.
When you’re stacking lots of flowers on a scrapbook layout or a card you can add dimension to the grouping by using foam dots to lift some of the flowers higher. This technique lets you add lots of less expensive sticker flowers and intersperse them with some more expensive embellishments and get good mileage out of all of them.

Wednesday, February 7th, 2007

Gotta love these things

I have this thing for stationery and I could spend hours in the store browsing pencils, pens and paper. So, when I found Knock Knock and their Knock ‘em dead cool stationery I was in 7th heaven.

This site has the coolest stuff from diecut foldable tick and send messages to cute clips and reminders. You just have to go visit them to see the range. I love the Pack This lists and, next holiday I’ll be packing messages to home that I can tick and send every day instead of always feeling guilty about not writing when there’s so much going on.

When you visit Knock Knock, stop by No. 2 as well – gotta love their disposable clipboards and the gigant colored elastic bands they call Utility bands are so cute. Everything is colorful, coordinated and oh! so chic!


Tuesday, February 6th, 2007

Great news from Ranger Inks

I love Ranger inks but it wasn’t until I interviewed Tim Holtz a couple of years ago that I discovered that the company’s Sea shells, Sea Brights and Adirondack inks were arranged into a complimentary palette of color – who knew? Not me!

It seems that if you took Peach Bellini, Popsicle Orange and Terra Cotta inks – one from each of the range, they work wonderfully together. In fact, I still have one of their promo sheets on which Tim Holtz circled the colors to show just how they work. I lived by that list for a couple of years but I don’t have to any more.

Ranger has, at last, acknowledged that most crafters don’t know how the inks coordinate so the company has made it simple for all of us. Now the Sea Shells and Sea Brights are gone and they’re all called Adirondack inks (I still can’t pronounce that word, but at least I can now coordinate the inks). The inks are arranged into groups called Lights, Brights and Earthtones. The colors are the same but they’re easier to match up with each other.

For the Earthtones collection which are the darker colors in the range, there are matching Acrylic Paint Dabbers, Dimensional Pearls™, Color Wash™, Alcohol Inks, Embossing Powders and Pigment Pens. So many wonderful products – Yum!

A by product of this rearrangement is the retirement of a few older products but you’ll love the ease of coordinating colors – imagine paint,ink and embossing powders that all go together.

Find out more about the new range here: Ranger inks

Tuesday, February 6th, 2007

Clay and CHA

We’ve all just returned from CHA where we not only had a wonderful time but also lots of success.

Michelle and I, together with Frank were chosen as finalists in the Amoco Bottles of Hope challenge and I won the Most Original award!

We got to hang out with lots of clay people and, at our hotel, we were next door to Gail Richie, Leslie Blackford, Kim Cavender and just two doors away from Donna Kato. Since we were all on the ground floor by the pool we got to hang together which was great fun.

Here are some of Donna’s photos too. Check out the right hand side (5th image down), left hand side (6th image down – it was Australia Day after all!) and (right hand side second to last photo)

You can read about some of our discussions with Donna Kato on her blog, including that we seem to have talked her into a competition for CHA next winter – Yeah!

I also met Claudine Hellmuth who had done a commission piece for Michelle and me so that was fun too.

Took a class with Tim Holtz on inks which was great fun as his classes always are.

The show really was wonderful and Anaheim sure beats Las Vegas!

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